Lucien Lévy-Dhurmer (1865-1953) was taken on as Massier’s primary artistic director. An Algerian by birth, the nascent Symbolist painter was a collector of antique and ethnic ceramics and decorative arts. He encouraged Massier’s experimentation with the lustre glazes, adding metallic qualities and intricate surface effects through painting, etching and stamping. The first known instance of Clément Massier’s metallic lustre glaze dates from the year of Lévy-Dhurmer’s arrival. Massier exhibited his new metallic lustre-glazed pottery at the Exposition Universelle in Paris in 1889. At this time, the patterns were generally applied to forms inspired by a great variety of exotic cultures: Iznik, Persian, Moorish, Japanese, Greek and Neoclassical. Lévy-Dhurmer’s influence on the decorative style of Massier’s production became dominant during the 1890s. In the first half of the decade, simple forms, many of which had been designed earlier, were decorated with elements based on a festive version of nature: insects crawled, prawns cavorted, and butterflies danced, while spiders, starfish and eels played in underwater fields of seaweed and algae. Fluid, organic shapes, such as this vase, were more typical of the second half of the decade.
In 1895 Lévy-Dhurmer returned to Paris to pursue his career as an artist. His paintings in the Symbolist style were a great success with both the public and his fellow artists. Today, they are collected by museums worldwide and he is considered one of the important artists of the Symbolist movement. One of those works is the magnificent Wisteria Drawing Room created by Lévy-Dhurmer for his friend Auguste Rateau, now on display in the Metropolitan Museum of Art in New York.
By 1895, Clément Massier’s lustrous creations were offered in at least five Paris galleries and an unknown number of other venues across France. The catalogue of the Massier factory did not include the metallic lustre glaze as it was used only for one-off pieces. Massier spent the remainder of his life perfecting the iridescent metallic lustre glaze. He emerges as one of the major creative forces of his time, on par with contemporary Symbolist and Impressionist painters. Massier’s works are a unique and magical combination between symbolism and nature.